Jarome Matthew's Blog

An interesting article in the Globe And Mail recently discussed how technology and the digital revolution has created a corresponding scarcity of attention. In becoming information-rich, we have become attention-poor.

Quite extraordinary how fast the technology has accelerated actually as this amazing video I posted illustrates… It is as if a house that cost half a million dollars in 1964 could be bought today for a nickel, or if life expectancy had been reduced from 75 years to four minutes.

And with almost all of the world’s codified knowledge at your fingertips, why should you spend increasingly scarce attention loading up your own mind just in case you may some day need this particular fact or concept? Far better, one might argue, to access efficiently what you need, when you need it.

The concern is that for now, the just-in-time approach seems to be narrowing peripheral intellectual vision and thus reducing the serendipity that has been the source of most radical innovation of the past, when brilliant minds studied concepts for hours before gaining their important insights.

The article suggest that our challenge is to adapt, and then to evolve, in a world where there continues to be an exponential increase in the supply of information relative to the supply of human attention.

I have certainly found this to be a challenge as an instructor for material that is ever changing.
More in depth discussion regarding this can be found after the article:

www.theglobeandmail.com/news/opinions/information-rich-and-attention-poor/article1285001

An important part of my role as a music producer is to get the best possible performance from artists in the studio both technically and emotionally.

I find I often fall short in this area though because unless they are professionals who have done large live performances for many years, most vocalists are often unable to deliver to their full potential. This doesn’t necessarily mean they don’t give great performances, it just means they could have done even better.

This is usually because the vocalist is not in optimal physical shape. Your health and physical fitness level has a huge impact on your vocal performances in the studio, and of course live. Sure, how comfortable you are with letting go and giving your all emotionally in the studio is also very important.  But to get a great performance, you really need to have a lot of power to deliver strong, clean vocal phrases. Without this power and energy, your performances will sound weak and shaky, quivering, particularly on the ends of longer words or sustained melodies and this drastically reduces the quality and impact of the performance.

Studio tools and tricks can rarely correct these problems effectively, so that’s why it’s so important for singers to keep in top physical shape if they want to give the best performance they’re capable of live and in the studio. Eat healthy food that gives you lots of energy, and adopt a regular cardio exercise routine at least 4 times a week.

Another recommendation, in addition to warming up properly before a performance and singing regularly in a choir, is opera training, or a great vocal coach such as Brennan Barrett, to help you get as much power as you can without exerting yourself more than you have to, and to assisting with effective breathing techniques that will give you better phrasing and power in the right places.

A producer can only do so much, and in my case, I can work a lot of miracles to make you sound great no matter what, but ultimately, I can only use the best you give me! Make sure that really is your best, as you never know who will hear your finished performance, or how far it will spread.